Ann Hobson Pilot insisted on having her picture on the cover of compact discs she recorded. She wanted African-American children to see that a woman with dark skin could star in the classical world.
One day in high school, Ann Hobson Pilot, an aspiring harpist who happened to be African-American, was at a friend’s house when the girl’s mother pointed to a picture on the wall. It showed a white woman with flowing blond hair.
“Now she looks like a harpist is supposed to,’’ the woman said with an edge.
Hobson Pilot still remembers the sting of the comment, even a half century later. She remembers it as she prepares for the highlight of her four decades with the Boston Symphony Orchestra, tomorrow night’s premiere of a concerto written for her by John Williams.
“It surprises me when I think back to that time,’’ says Hobson Pilot, now 65. “I worked hard, but what was I thinking? The harp was considered to be the instrument of an angel, a white woman with flowing gowns.’’
From the Symphony Hall stage, Hobson Pilot changed that perception.
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